If you open the cat-eye shorts, you’ll find that “The Cool Solo” is breaking up.
In August, “The Great Wind of the Dragon Door” in the form of “AI + Real People” was launched on the cat-eye shortstrip Top2 in just three days, followed by ” Anti-Fraud Hornet” on the next day, with a 3.6 per cent positive-market rating on the August full-web shorts to effectively play Top3 and block the way for Yoyo to be surrounded by Queu’s televised video and Quie.
What is even more difficult is that, as the heat of the market continues to spread and the reputation continues to spread, the play also shows great commercial value, with an 11-day cut-off of 5 million on line and an 8 million in less than a month.
In September, the coolest of the country’s emotional shorts, The Half-Sun and Half-Snows, which were controlled by the masters, drew a new wave of presence.
On the basis of the information published by the Centre for Micro-Syncs in the Autumn of the Tiger Whale, Yucheng will then continue to work to increase his competitiveness and combat power through the adaptation of the same-name novel to the emotional suspense short, The Excessive Reaction, The Incendiary Attraction, produced by the original version of ” We Convergence in the Night ” , the urban emotional short, The Private, and the urban business short by Zhang Ba Jo.
A skirmish by the late was full-blown, and the cruelest phase-out was opened.
You have to do something to fight back.
It’s more heroic.
Just like Zhang Reemin, the founder of the Hale Group, famously said, “No successful business, only the business of the times.” The business world has never had lasting competitiveness, and even industry giants must embrace change, otherwise the tides of the times may also be on the beach.
In the face of the most dynamic “times test” in the current content industry, it became apparent that the response was half-slow, and it was only in March of this year that the urgent “shortening” of the micro-short play centre, which was attached to the commercial sector, was rushed. But at the time, the “short-forward” contest for the Achilles, the Quest Video and Mango TV had been completed, and the red fruit had grown into a “tree of the sky”.
More crucially, it seems that Yoyo has not really realized that the short play is not about adding flowers, but about making it necessary. So, in contrast to the ecstasy that also started to work late in the long video, we can clearly feel that the ecstasy lacked the full All in and the unfailing action.
According to QuestMobile data, in January-July 2025, only seven short plays were added, not only to the same period last year, but also to over 74 per cent, while 88 new videos, 64 new ones, and 44 new ones were added to Mango TV, of which the number of Accelerators rose by 156 per cent.
The domestic wave will always move forward and will not be suspended for anyone, so the biggest concern of the long video has been that.
By June 2025, red fruit and fruit activities had not only continued to run at 179 per cent of the same rate of growth, but had also broken in a volume of 210 million, achieving, for the first time, the size of the short drama AP-to-minister video platform, the first to be left behind.
It took less than two years for the red fruit to walk 18 years of grace. The latest July data released by QuestMobile shows that the situation has not yet been reversed, and that, on the side of the long video track, the once-settled industry is facing unprecedented wavering.
On that basis, Ali gave Yo cool another “must”.
At the end of August, the Ali official network suddenly updated its major business architecture, reconfiguring the previous “1+6+N” structure to the “all other” sectors of the Ali Baba China Electric Power Group, the Ali International Digital Business Group, the Cloud Intelligence Group and “all other” operations.
In the face of the wind, an attack on a girl or something.
No, no, no.
But, as late as you are, you must give the audience a good reason to need it. In response, the Eku-Mitre Center’s solution, which was thrown at the Autumn Recreation of the Tiger Whale, was to deepen the search for precision from the tridimensional dimensions of the Dramatics, Serialization, International Perspectives and the construction of the “emotional Enabling Expective” double spiral.
This is a familiar statement, because when the new brand of the “Cool Originals” was launched in May this year, the cool presentation was also made around the three key words of “strikes, serialization, international vision” – re-emphasizing that the brand is the next city in its mastery of content and a manifestation of the new wave of determination to seek change.
The high degree of overlap in this strategic expression, which appears to be a consistent line of content-based methodology, may well be that it has not really been clear how to make a short play.
The most direct proof is that the latest short play incentive policy is still set for October last year.
On the other side of the story, however, the multidimensional optimization of the policy has been carried out over the course of this year, with key initiatives such as the anchoring of talent, the creation of post-broadcast incentives, the promotion of home-made micro-theater support, and the introduction of self-employment, to respond precisely to new trends in the short play market towards refined, specialized and deep-tilled farming, as a way of building up greater resilience and dynamism in this industry.
Moreover, the follow-up response to the market by Yoku may not be forthcoming.
After all, the Centre is still located in the commercial sector, and this unindependent operation is not only vulnerable to commercial testing, but also makes it more difficult to establish fast-track decision-making mechanisms for focused content.
At the same time, from the point of view of the production of recent works, the “unio-dependency” feature is evident.
A number of important works, such as ” The Great Wind of the Dragon Gate ” , ” Anti-Fraud Horner ” , ” Blue Fox murmur ” , ” Half-city Wind and Half-Snow ” , ” Deliberate Love ” , are run by the Eighth House. While this does not preclude the consideration of a deep-seated strategy for the studio, it also clearly exposes the risk of a single source of short-duper capacity, which is often at the core of a shortage of talent.
Against this background, it is clear that Yo-cool is in dire need of a fast track, such as “aggression of women”.
On the one hand, in the short play market, women ‘ s frequency content is more likely to break the industry consensus. Among the million-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousand-thousth-thousand-thousand-thousth-thousthy-thousthy-thy-thousthings of the new short-the-chart-the-chart in-year 2024, women ‘ s emotional needs, value-belty and-thy-thy-thy-thy-thy-thy-thy-thy-the-
More convincingly, Mango TV is not listed on the 2025H1 list, but it has a successful break-up in the velvet, when it comes to the Dragons, which proves that it can make a market-sanctioned women’s point of view, while the first reference to the semi-urban month-and-month snow is a typical representation of women’s power.
This makes it clearer that “feminicide” is not a zero-step risk for the cool, but an optimal option to match the mainstream demand in the market with an existing content advantage.
How much will Yo-cool win?
However, this fast lane is a “broad door” and a “close road”.
The core strategy of the Starwatch Theatre, which was launched in the summer, is also an “aggression of women” with four main pieces, Aikawa’s Dream, Manchuria, Half-Awakening Life, The Mirror of the Mirror, Qing one-senseen focus on the ancient narratives, growth narratives preferred by female viewers, and the accompanying operational tactics are fairly standardized.
Most importantly, Station B has made real achievements.
As of the time of writing, the cumulative number of airings at the arrival of Aokawa ‘ s ” Half-Awakening Dreams ” and ” Manchurian ” stations amounted to 180 million, 160 million and 666.637,000, respectively, while the latest on-line ” Mirrors ” not only took the top of the B-based television and video combinations, but also took over the top clouds and short plays at 7.4 per cent.
The high demand for women’s content is visible, so we see that, during the time of the semi-city wind and snow show, the competitive rivals in the market were not only the Mirrors, but also the video-message of the handmaidens, the Dark Wigand, the Springs Man, the Quest of Her Life, and the first episode of the Mango TV Hotspot Theatre, the female reasoning agency’s first short play, the blade.
The entry of B has added a fire, and it is not only internal training on long video, but also a “fall-down” from the red fruit that Yo-go has to face.
The CSM Media-wide Data (NewtAM) shows that the gender distribution of users of red fruit short operas is marked by a “mega-male” pattern, with up to 60% female users.
On this basis, with the three words of “Shin Shafengdra” in “Marriages” and “Shin Shafengdra” , the red fruit has made the “Tell Recreation, I Can’t Go Back” a hot web jam in the near future, not only to really start the next level of content, but also to give a new impetus to the transition from audio-visual “products” to “works”.
In the heat of iron, the red fruit has recently published the second edition of the “Flame of the Fruit” short film, which includes 26 different types and different qualities of the “Screen of the Bénée Garden” “Screen of the Bénée” “The Fake of Life” “The Psychiatry” “The New Sorbler” and “Fire Rose” and the short “Gin Dynamite” edition.
That is to say, Yoko wants to hit a real stand-up heel inside and outside, and whether or not he enters from the “basket” he must run harder and live differently. Otherwise, the story of the wolf may be replayed.
No one, no one, looks at the whole industry, who better sees “long” in “short” and who wins irreplaceable seats on the final “food table”.